Friday, December 02, 2005

Draft Two-The Secret-

Trigger -Three can keep a secret if two are gone-

The Secret-

Eight-year-old Dorothy slowly brushed off the dirt and unwrapped the velvet cloth to reveal an oval mirror with a small, blue handle that she found in the woods right next to her house. She thought it was just a regular mirror. But it wasn’t. She stared into the cloudy mirror and could not put it down. Excited, she twirled round and round as if she was on one of the amusement park rides her Grandpa had taken her on.

Dorothy would not go anywhere without that mirror. And, after a few weeks, while playing with her friends, Teresa and Heather, she gazed into the mirror like she had done hundreds of times. Suddenly through swirls of haze, Dorothy saw a face. It was the face of a young girl, around the same age as Dorothy, with hair like the color of butter.

“Who are you?” Dorothy whispered to the vision.

“My name is Elizabeth.”

“Why are you in there?” She said as she turned her head from side to side to see if her friends were watching. They were busypicking flowers.

"I can’t get out. What is your name?”

“My name is Dorothy. How did you get in there?” She asked as she twisted the ends of her hair.

“I found the mirror a long time ago. I got mad and wished I could go somewhere else, and then poof, I was in here.”

"Where did it come from?”

“It was in the woods by my house. I wish I hadn’t ever found it.”

“I wish I could help you,” Dorothy said.

“But you can. You can wish your friends were in here and they’d be here, and I’d be free.”

“I can’t do that!”

“You’re right. That was a pretty stupid.”

“I’m sorry,” Dorothy said as she rubbed the mirror, and hoped the girl could feel her touch. “Can’t we be friends anyway?”

“Okay. Sure,” said the porcelain face of pain.

Dorothy and Elizabeth had many conversations about dumb boys and how Dorothy didn’t like her Mom and Dad telling her what to do. But, Dorothy's friends soon became jealous of Elizabeth and even threatened to tell their parents about her.

Dorothy panicked and didn’t know what to do. She knew she’d be in trouble or worse that her new friend would go away. Suddenly, Dorothy thought back to the conversation with Elizabeth.

She could wish her friends were in the mirror instead. That would work, she thought. Wouldn’t it? It had to. That’s when she came up with the plan. That same day, she invited her friends over for a sleep over.

"Hi guys,” Dorothy said with a nervous smile. “Want to play a game?”

Teresa and Heather looked at each other and shrugged their shoulders. “Sure,” they said in unison.

“Why not,” Heather said without much enthusiasm.

“Great. Okay, this is what we need to do. First, I’ll blindfold you both, and then we’ll play a kind of hide and seek. Are you ready?

They both nodded.

She tied a scarf to cover their eyes, and placed the mirror in front of them and muttered, “I wish Teresa and Heather were in this mirror.”

Upon hearing Dorothy's words, Heather and Teresa quickly tore off the scarf. All of a sudden, Heather’s face contorted into something wide and long, and then into something short and narrow as did the rest of her little body. Wide eyed, she howled and turned translucent as the mirror’s power finally pulled her in.

“Help me, Dorothy,” Heather cried, “What is happening to me?”

“Don’t worry. It will be okay in a minute. We can still be friends.” She secretly hoped so anyway.
Teresa started to run away as tears streamed down her face, but didn’t get far. She screamed and tumbled to the ground. Her body elongated and shortened simultaneously, back and forth, she stretched. It reminded Dorothy of the time she was in a funhouse when she stood in front of the wavy mirrors that made her body look weird. In the end, Teresa could not escape the mirror’s strong grasp, and she was sucked into the mirror.

However, when Dorothy looked into the mirror, she could not see her friends. However, she did see Elizabeth.

“Now what? Why didn’t you come out?” Dorothy asked.

“I don’t know. Something went wrong. You’re friends couldn’t stay here. They had to go to another place.”

Shaking and shivering, Dorothy stood on the cold, hard ground. “Another place? What do you mean another place! I thought they would be okay in the mirror so we could at least still be friends. What happened to them,” she demanded.

“I just don’t know, Dorothy. I’m really sorry. I just want to get out of this mirror,” Elizabeth said, as her face wrinkled and brown spots started to spread across her face while her once light brown hair turned to a dull gray.”

Dorothy dropped the mirror and ran and ran until she couldn’t hear Elizabeth’s screeches any more.

“Don’t leave me. Don’t leave me like all of the others. We’ll figure it out together… come back. Dorothy…come back to me.”

That’s all Dorothy heard as she ran as fast as she could back to her house. She slammed the
door and didn’t look back.

Several years later, she did go back to those same woods. And, she felt its power. She lie on the ground and scattered the dried leaves in the area she’d dropped the mirror. She lowered her head, and silently wished she could find the source of her nightmares and the answers for peace of mind.

“I wish I could find my friends,” she said aloud as she pounded the ground in frustration. Heart racing, her face suddenly widened and in horror, Dorothy touched her face.

"Oh no, no…no…no…," Dorothy cried as her body transformed into something between time and space.

“Your wish is my command,” Elizabeth whispered.

And before Dorothy knew it, she was inside the mirror with her friends, and far off in the distance, she could see a once again, young Elizabeth.
###

7 comments:

Dave said...

Lisa:

You should put this on Writers in the Mist. That would be great for the group to comment on.

Here are a couple comments. There are several Point of view shifts that make it confusing.

The story starts out with the "narrator" telling the story from Dorothy's point of view, then "Teresa and Heather thought it was stupid when Dorothy would not go anywhere without it." switches the POV away from Dorothy.

There you could say "Teresa and Heather teased Dorothy when she would not go anywhere without it."

That way, the POV is still in Dorothy's court and you see that Teresa and Heather find it silly.

btw "said the porcelain face of pain." is a fantastic line.

THere is another point of view shift here: "Heather and Teresa quickly tore off the scarf in order to see what was going on."

in order to see what was going on.

That shows intentinons from the non-point of of view characters. The POV character can assume that was why, or it could seem that is why, but stating that it is makes it a POV shift.

Maybe this instead:

Both Heather and Teresa tore off their scarves."

"What's going on? Heather said, her eyes narrowed.

That way, we "hear" that Heather and Teresa are wondering what is going on, and nothing is left to speculation.

This part lost me:

“I wish I could find my friends,” she said aloud as she pounded the ground in frustration. Heart racing, her face suddenly widened and in horror, Dorothy touched her face. Oh no, no…no…no…she cried as her body transformed into something between time and space, and in the mirror now in front of her, she found herself staring at Elizabeth, young once again.

“Your wish is my command,” Elizabeth whispered.
#
Elizabeth joined her newfound friends, but couldn’t understand why they weren’t happy.

Is the sentence after the # part of the story? If it is, there is a POV shift there, if not, I am confused what happened.

Did Dorothy get pulled into the mirror? Did she get sent wherever Teresa and Heather went?

"and in the mirror now in front of her, she found herself staring at Elizabeth"

It's unclear if "in the mirror" means Dorothy is in the mirror seeing Elizabeth or if she is outside of the mirror still seeing Elizabeth as before.

THis line:
"Elizabeth joined her newfound friends, but couldn’t understand why they weren’t happy."

suggests that Dorothy was pulled into the mirror and both Dorothy and Elizabeth joined Heather and Teresa?

Okay one last comment then I'll let you off the hook! :)

You are capitalizing letters mid-speech. for example:

“Why are you in there?” She said as she turned her head from side to side to see if anyone was watching.

"She said" should be "she said" because the sentence is not terminated by the question mark, but the period at the end.

Hopefully this made sense.

I think the concept is really cool.

Did I answer the question? :)

porchwise said...

I think the whole thing is from a narrator POV and, actually, reads pretty well as it is. I didn't find the confusion that Dave did, and I think the capitalization would be apparent when you started your editing process. I work in Word and it pops those things out in final edit anyway.

Lisa said...

Thanks for your comments, guys! I will look over more closely and let you know if I have questions!

Dave, I think I confused myself writing this ;) It was quickly written in answer to a trigger-no more than 1100 words allowed. So, when I started it, it was from Dorothy's POV but ran into problems at the end. ;) How can she tell the story if she's in the mirror.

Porchwise says okay from narrator POV, but can I choose a narrator POV even though it is unknown how the narrator found out about the story? Does that make sense?

I do get confused on tags after question marks.

*****

Porchwise, my word doesn't catch these unfortunately, and I'm still learning all of the ins and outs of dialogue ;)

Pls see above for question on narrator POV. Thanks for taking time to comment.

If you link to my site, you have won this month's contest, if you are interested. Please let me know!!

Thx again!

Dave said...

Narrator POV is called Omniscient.

But when you follow one character around as the star, everything is actually being told by an unseen narrator from the Dorothy perspective.

The POV shifts I pointed out step out of that realm momentarily and add to reader confusion.

I would highly recommend you get
SELF-EDITING FOR FICTION WRITERS:
How to Edit Yourself into Print
by Renni Browne and Dave King.

It's an all around good book on editing your work and making it better.

Dave

Lisa said...

Hi Dave,
I have done much reading on POV, but am admittingly still confused on the fine lines of each. When I get a chance I will check out that book. I know you mentioned it before. I hope it's avail thru my book club. ;) Thx for the tip!

The omniscient POV as it relates to the short story confuses me. I should be able to see through all eyes but that doesn't happen much in short stories, does it?

I write what comes into this little brain of mine and then try to sort it out because I am so new to the writing world. I have only been writing seriously for over a year, but I have learned a lot already.

I think I understand you better that I can use Omniscient POV, but since I stayed in Dorothy's eyes most of the time, the quick change to her friends POV was confusing.

So...if I stay with Dorothy's POV I should stick with that, and if I do use omniscient, I should show the other characters POV more consistently. Does that sound right?

Thx for the help!

Lisa said...

I've made some changes on Draft Two. Comments Please!

Dave said...

Lisa:

Draft 2 is far better. You stayed in proper POV the entire piece.

I felt like Heather and Teresa were placed in the story much better as well.

I like it.

One thing to watch out for is overuse of words. For instance "mirror". I understand that it is a key piece of your story, but there are a couple places in quicj succession where you use that word.

Try to find a different way of referencing the mirror in places like that.

For example: "the shimmering glass"

***

To answer your questions on omnicient:

If you want to tell the story from a true narrator standpoint, then you really wont have anyone's POV. You would be like the announcer at a football game telling everyone what he sees. He has no idea what the players are thinking.

The only way to be able to show a character's feeling is telling the story from their point of view. Everyone else's have to be determind by what the POV character observes.

Some writers (such as Dan Brown - The DaVinci Code) Will change the POV character every chapter to give real life to all of the characters.

This is tricky ground, and it is recommended that unseasoned writers stick to single POV works.

If you really need to get a non-POV characters emotions or feelings through, you do have tools to do that. They have body language, facial expressions, and most powerful of all, their voice.